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    Progarchives, the progressive rock ultimate discography

    PROGRESSIVE METAL

    A Progressive Rock Sub-genre


    From Progarchives.com, the ultimate progressive rock music website

    Progressive Metal definition

    This category represents the core movement of what is called "Progressive Metal" in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures. Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music.

    The Origins:
    The heavy sound of some of the progressive rock bands of the 70's has been one of the building blocks on which progressive metal was raised. Progressive rock pioneers such as KING CRIMSON and RUSH have often been acclaimed as the main influences of progressive metal bands. The other major influence has been the NWOBHM (New Wave of British Heavy Metal) movement, and especially the twin-guitar arrangements of IRON MAIDEN, which have left their stamp on the early stages of the genre's development.

    The Pioneers:
    Often (and not unjustifiably) referred to as the "Big Three" of progressive metal, QUEENSRYCHE, FATES WARNING and DREAM THEATER have set the scene of what was to follow in the movement. The defining era for the genre was the second half of the 80's, among QUEENSRYCHE's "The Warning" (1984) and (most explicitly) "Rage for Order" (1986) along with FATES WARNING's "Awaken the Guardian" (1986) and "No Exit" (1988) releases. The former evolved on their pure American power metal beginnings, while the latter refined their technical/NWOBHM-influenced metal into more progressive forms. Although producing demos since the mid-80's as MAJESTY, DREAM THEATER's first release came in 1989 with "A Dream and Day Unite". The innovative use of keyboards along with influences from American heavy/power metal and progressive rock produced an original blend which was to be further refined in 1992's "Images and Words", which until this day remains next to "Progressive Metal" definition in any musical dictionary.

    Among the pioneers of the genre, but enjoying less success and popularity, were PSYCHOTIC WALTZ and SIEGES EVEN. The former were essentially playing progressive metal as ASLAN in the mid-80's and developed a highly eclectic sound in the 90's. The latter's debut classifies them among the European prog-thrash pioneers but their music evolved to more melodic patterns and heavily influenced by RUSH in the early 90's.


    Progressive metal is difficult to further divide in sub-genres but a number of tendencies or movements have been critical to the evolvement of its sound.

    Traditional Progressive Metal
    The style developed by the pioneers was fully established in the 1990s and includes a range of bands from the two sides of the Atlantic. Good examples in this movement are SAVATAGE, who expanded their heavy metal beginnings with operatic and progressive elements in late 80's/early 90's, while SHADOW GALLERY and SYMPHONY X emerged with a unique sound, each embodying a strong theatrical, symphonic and melodic approach. In Europe, SOUL CAGES continued the legacy of SIEGES EVEN in a more artistic path.

    Power-Progressive Metal (American style)
    The legacy of RIOT (the counterpart of NWOBHM sound in USA) and the early releases of QUEENSRYCHE and FATES WARNING heavily influenced a number of bands that were to develop a common sound towards the late 80's. Among the well-known representatives of what is called American Power Metal (e.g. VICIOUS RUMORS, HELSTAR), a small number of bands enriched their sound with progressive and epic elements. Probably, the most obvious examples of this movement are CRIMSON GLORY and HEIR APPARENT.

    Power-Progressive Metal (European style)
    This category includes a broad range of bands that could sound fairly dissimilar to each other but their music is significantly influenced by the European Power Metal (primarily German) bands of the 80's (e.g. HELLOWEEN, RAGE, RUNNING WILD). The earliest examples are probably BLIND GUARDIAN, ANGRA (although Brazilian, their sound is mainly European) and CONCEPTION. Slightly later, VANDEN PLAS, ROYAL HUNT, ELDRITCH and LABYRINTH gave rise to the popularity of the genre in Germany, Denmark and Italy respectively. The symphonic and neo-classical elements (made popular by YNGWIE MALMSTEEN) also found their way through power metal with bands like RHAPSODY OF FIRE and NIGHTWISH, whose style does not qualify as being progressive for many people. Nevertheless their music is quite demanding to play and contains many elements of serious classical composition and form.

    Modern Progressive Metal
    The second half of the 90's and the early 00's also saw newly formed bands expanding the boundaries of Traditional Progressive Metal via a number of ways: introducing electronic/spacey elements, investing heavily in lyricality and/or syncopation and further rhythmical experimentation. Also the idea of thematically conceptual albums has returned in accord with the practices of the Progressive Metal pioneers. Well-known examples in this category are AYREON, PAIN OF SALVATION and RIVERSIDE.


    --- Definition by Thanos and the Progressive Metal Team, January 2012 ---

    The Progressive Metal Team
    Karl (bonnek)
    Kevin (Necroncommander)
    Mike (TCat)


    Progressive Metal Top Albums


    Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Progressive Metal | More Top Prog lists and filters

    4.29 | 2952 ratings
    METROPOLIS PART 2 - SCENES FROM A MEMORY
    Dream Theater
    4.29 | 2883 ratings
    IMAGES AND WORDS
    Dream Theater
    4.25 | 1710 ratings
    SECOND LIFE SYNDROME
    Riverside
    4.23 | 1167 ratings
    REMEDY LANE
    Pain Of Salvation
    4.23 | 1232 ratings
    THE PERFECT ELEMENT - PART 1
    Pain Of Salvation
    4.22 | 1097 ratings
    OPERATION: MINDCRIME
    Queensrche
    4.21 | 1293 ratings
    ANNO DOMINI HIGH DEFINITION
    Riverside
    4.20 | 1177 ratings
    OUT OF MYSELF
    Riverside
    4.19 | 1167 ratings
    THE HUMAN EQUATION
    Ayreon
    4.20 | 383 ratings
    THE ART OF NAVIGATING BY THE STARS
    Sieges Even
    4.13 | 2086 ratings
    AWAKE
    Dream Theater
    4.13 | 1962 ratings
    SIX DEGREES OF INNER TURBULENCE
    Dream Theater
    4.14 | 755 ratings
    INTO THE ELECTRIC CASTLE
    Ayreon
    4.17 | 398 ratings
    A PLEASANT SHADE OF GRAY
    Fates Warning
    4.13 | 722 ratings
    V - THE NEW MYTHOLOGY SUITE
    Symphony X
    4.30 | 107 ratings
    THE TOWERS OF AVARICE
    Zero Hour
    4.13 | 576 ratings
    THE DIVINE WINGS OF TRAGEDY
    Symphony X
    4.14 | 411 ratings
    PERFECT SYMMETRY
    Fates Warning
    4.16 | 301 ratings
    THE FULLNESS OF TIME
    Redemption
    4.21 | 150 ratings
    PARADOX
    Royal Hunt

    Progressive Metal overlooked and obscure gems albums new


    Random 4 (reload page for new list) | As selected by the Progressive Metal experts team

    MANIFESTO FOR FUTURISM
    Dali's Dilemma
    THE BUTCHER'S BALLROOM
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    THE GOD THING
    Vanden Plas

    Latest Progressive Metal Music Reviews


     1/2: Thought And Matter by MIND PORTAL album cover Studio Album, 2014
    3.97 | 8 ratings

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    1/2: Thought And Matter
    Mind Portal Progressive Metal

    Review by b_olariu
    Prog Reviewer

    4 stars Mind Portal is an excellent prog rock/prog metal band from Russia with 2 albums in their pockets so far. To tell the truth both albums are more then awesome, really solid releases, little known in prog circles. The second release from 2014 named 1/2: Thought And Matter is another top instrumental prog metal album with fusion elements added in the mix.

    Here are 6 pieces, very lenghty with exception of one piece, the rest are above 8 min, very solid musicianship I heare here, realy some fantastic parts on opening title track Though and matter, realy great tune with fantastic ideas and great interplays between guitar and keys. In fact all pieces are great, not a weak moment here, I was kinda surprise to see how unknown they are to prog public, is a good record that is needing to be heared and appreciat at true value. Maybe I'm little biased because I've descovered latley some fantastic bands from Russia playing intristing progressive rock, even better then bands with big names, one of them is Mind Portal. Pleasent compostions quite complex, the band knew how to give to the listner something worth investigated. For me the Vyacheslav Bessonov keyboards are killer and in duelings with Grigory Kurnosov guitar make an intresting album to have always changing in mood and tempo.

    So, 4 stars for this album, fans of the genre need to discover this band, in my opinion better then the debut who was already a solid one.

     Blood and Gold by IVANHOE album cover Studio Album, 2020
    3.92 | 4 ratings

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    Blood and Gold
    Ivanhoe Progressive Metal

    Review by ssmarcus

    4 stars As the apex of the 2020 COVID-19 pandemic seems to be behind us and we attempt, however feebly, to restore normalcy to our lives, a healthy dose of immediate and passionate old-school progressive heavy metal, the kind served up on this record, can really go a long way in setting the mood.

    The music on Blood and Gold is driven forward by melodic guitar leads and Bruce Dickenson-like vocals backed by your usual arsenal of prog-metal keyboard synths and harmonies. While this description applies to literally hundreds of modern prog metal acts, Ivanhoe manages to set themselves apart through tight song writing. At a lean 38 minutes and 37 seconds, the record has no time for filler. Blood and Gold comes out swinging on the first four tracks and closes it out with elegance. Ivanhoe are confident enough in their sound that they don't feel the need to prove their prog chops with unnecessary meandering.

    Ivanhoe have been around 80's. Ostensibly, their long career has not materialized much in the way of fame or wide-scale recognition, even by the modest standards set by progressive music. And yet their passion for music keeps them going. On Blood and Gold, we all get to enjoy that passion right along with them.

     The Astonishing by DREAM THEATER album cover Studio Album, 2016
    3.40 | 690 ratings

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    The Astonishing
    Dream Theater Progressive Metal

    Review by Zoltanxvamos

    1 stars Turns out John Petrucci's passion project known as Dream Theater goes one step further from Prog Metal to bland Rock Opera. Of course what can I say about this album? Its astonishingly bad... ok I really just wanted the pun.

    But in all seriousness, this album, as good as... well... one song is, the rest of fairly boring, overblown, and way over the top. I've been a fan of the bands double albums for a while, Metropolis Part 2 and Six Degrees, but this is completely over the top and way too long (and that's coming from a Flower Kings fan). Unlike TFK, this album has barely any good songwriting and just comes off bland and uninspiring. The instrumentation is still good but Mike's drums here just don't sound right. I do like the large concept idea of this album, and there are a few songs on this album that I can say "hey, that wasn't too bad", but for the most part this is just way too much. Petrucci should've listened to Mike Portnoy, they should've went on a hiatus and come back with new ideas. Unfortunately for the band, Petrucci works like a machine (which is a blessing and a curse), he likes to keep pushing out albums whether the albums are not of top quality.

    Without Portnoy, this band has gone from great to merely mediocre. This is one example as to why the band should've went on a hiatus, to avoid something like this. If you want hard hitting Dream Theater of the now, go elsewhere, give this album a shot in case you like it though. I wasn't a fan of this album but give it a shot either way, but I would suggest 'Distance Over Time', it is much better than this album, and it has a more retro Dream Theater writing style. Unfortunately, this wasn't my thing, the rock opera elements just don't work for me, if I want to listen to Rock opera I'll listen to Queen.

    Either way, my final words are: This could've been better, but overall, this just didn't have anything that intrigued me. The only song I enjoyed was 'A New Beginning', but even that song was a bit of a pill. Anyways, if you want Dream Theater at their best, I'd go elsewhere, because this album is just really long and it can be hard to get through.

     Rise Radiant by CALIGULA'S HORSE album cover Studio Album, 2020
    4.53 | 6 ratings

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    Rise Radiant
    Caligula's Horse Progressive Metal

    Review by Zoltanxvamos

    5 stars Caligula's Horse' Rise Radiant is The progressive metal album. The elements of djent, heavy and odd chord structures, and vocals of high quality. The album art is absolutely stunning, the oil texture of the painting with a dear in the middle. The dear looking into a mountain landscape, soft streams, and a warm colour scheme.

    The Tempest is a bit of a djent driven piece, the lyrics are well written. "There's No Saints, Only the thunder in skin, the frailty", the poetic content of these lyrics is amazing. The songwriting of this song is unbelievable, the instrumentation is great and the odd patterns make the song sound polyrhythmic. Harmonies, odd times, and there are some polyrhythms between the drums and guitars.

    Slow Violence is the single that was released about a month ago. The guitar intro is a bit like modern hard rock, the chorus is a bit heavy and then it goes to a bit of a djent rock approach. I do like the lyrics here but they aren't as poetic and meaningful.

    What is with the polyrhythmic sound? This is absolutely incredible, the vocals, guitars, keyboards, and drums are all in some very interesting sounding patterns. Salt has some interesting patterns, great lyrical themes, intense keys and some of the best vocals I've heard.

    Resonate actually has some John Mitchell era It Bites in it. It's a short interlude with amazing vocals as well, Jim Grey has a bit more rasp in his voice here. I really do enjoy this interlude, its keyboard heavy, and the electric drum track is very fitting to this soft interlude.

    Oceanrise is another song with interesting patterns, harmonies, heavy bass, and yet again ... strong lyrics. It seems like a typical song but in all honesty, this song just fits very well on this amazing album.

    Valkyrie is a bit of a heavier tune, the djent is tuned up a bit more on this track. The vocals are a bit harsher, a bunch of great harmonies, the guitars are a bit louder, and the lyrics fit the song. This was another single released before the album, and well... this is great so enough said.

    Autumn opens with a soft acoustic guitar, very It Bites at the beginning, sounds like something off Map Of The Past. This song ends up being the softest full piece on the album, it's got delicate lyrics and beautiful vocal melodies. This could be the best song on the entire album.

    Intense drum fill, heavy bass and electric guitars right off the bat with the final song on this album, titled 'The Ascent'. Its a hard hitter right from the get go, and it continues with this heavy path until about the minute and a half mark. The song slows and the vocals are soft and melodic, it's got a nice jazz feel. The guitars kick into gear and we have the heavy content we all love from this band. The amount of chord changes in this song is enough to keep some jazz guitarists busy. The rest of the song has djent, large and broad harmonies, and just Caligula's Horse goodness. This song ended up being the perfect way to end this album, it had all the right elements to be a heavy end, just like The Tempest was just great enough to be the opener.

    Conclusion: Give this album a shot, it has a bunch to offer and frankly this is what modern prog sounds like. Haken and Caligula's Horse are the bands to beat when it comes to the modern prog sound.

    So... was Rise Radiant the album I expected? No, it was more, it has complex playing, complex patterns and song structures, along with diverse and intricate chord progressions. Is this what I was expecting from the new prog band to beat? Not at all, but am I happy I listened to this album? Absolutely.

    This album really is deserving of 5 stars, it has all the right elements to be a fantastic album. I actually believe that this album could find a place in the top 100 somehow. Bottom line is, this album blew me away and I hope future listeners will find this album just as amazing as I do.

     City Burials by KATATONIA album cover Studio Album, 2020
    3.56 | 36 ratings

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    City Burials
    Katatonia Progressive Metal

    Review by ssmarcus

    2 stars The trend of extreme and progressive metal acts abandoning or taming their heavier impulses or more progressive ambitions for the sake of listenability is well established. When done tastefully, the progressive metal community is generally receptive. The spirit of prog, and even metal to an extent, demands continuous evolution. And prog fans are, or at least should be, wiling to accept when artists have made changes in their artistic direction.

    No band has done this more tastefully than Katatonia having basically abandoned their early extreme doom metal roots for a more prog infused alternative metal sound. With City Burials, the group seems to distill their alternative sound even further' perhaps too much.

    Unfortunately, City Burials merely retreads over the same territory already covered in previous releases all while stripping it of any novelty that could have possibly crept in. Jonas Renkse's attractive vocals are front and center but they fail to produce memorable hooks. The backing to Renske's vocals, despite multiple dense and cleanly produced layers of sound and instrumentation, don't seem to amount to all that much. As a listener, I can't help but feel lost in its monotony. In a word, this record is boring.

     Scarsick by PAIN OF SALVATION album cover Studio Album, 2007
    3.19 | 593 ratings

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    Scarsick
    Pain Of Salvation Progressive Metal

    Review by javajeff

    4 stars I took a while to take in this album due to some lackluster reviews. It is not a masterpiece like the big three, but is far better than I expected. It has a couple moments that are far from perfect, but overall, it is still a very good album that I enjoy listening to. The only thing that really hurts this album is the masterpieces that are Remedy Lane, The Perfect Element Part 1, and Be as a means of comparison. Scarsick and Disco Queen are fantastic tracks, period. Enter Rain is a fine ending as well. There are many moments that compete with their best stuff, and more Pain of Salvation is a good thing. America is perhaps the most interesting track on the album, and that is saying something with Disco Queen on there. I am sorry I did not get to it sooner as I am a fan of the band. Comparing their catalog of albums, this is around the quality of One Hour By The Concrete Lake. I would still get the previous five efforts first, but Scarsick is still an excellent release.
     Coma Ghosts by EFFLORESCE album cover Studio Album, 2012
    3.87 | 53 ratings

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    Coma Ghosts
    Effloresce Progressive Metal

    Review by kev rowland
    Special Collaborator Honorary Reviewer

    4 stars I am very used to being late to the party, especially with living at the end of the world, so I have only just come across this album which was released in 2012. It was the debut album from German band Effloresce, following on from a 3- track EP and according to their website it was very well received at the time, even being voted best progressive metal album of 2012 by some. But their site has not been updated since 2016, although I have tracked down singer Nicki Weber and found a post from 2018 where she says the band will still do a second album, so there may be hope yet. Hope? Yep, I want to hear more from these guys as unlike many bands within the spectrum who either embrace metal so hard they forget the prog, or vice versa, these guys have a strong grip on both sides of the spectrum moving along the scale as it suits them.

    This means we can get numbers which are quite neo prog in many ways, except often with more metallic drumming, and then we can go into full on metallic-style prog with the band fully firing. Then at the front there is Nicki, who often sings like an angel but can also growl when she needs to, immediately making me think of Angela Gossow. There are times when they remind me somewhat of Lacuna Coil, which did make me wonder if the album title is a tip of the hat to the 2002 album 'Comalies', and like them they have a very diverse approach to the job at hand. The sound and production are superb, but one would expect nothing less seeing as how the mighty Dan Swan?mixed and mastered the release. It is polished, interesting throughout with plenty of movement and change in the overall approach, by a band who are skilled and a great singer. It never sounds like a debut by an unknown band but instead by one who has been around for years and are at the top of their game. Why they have not been picked up by a label such as Nuclear Blast is something of a surprise, and one can only hope the second album is still a possibility, as this is a band with a lot to offer.

     Invisible Circles by AFTER FOREVER album cover Studio Album, 2004
    3.35 | 32 ratings

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    Invisible Circles
    After Forever Progressive Metal

    Review by sgtpepper

    3 stars Invisible Circles it the third album by After Forever, whose music is actually better than their fame due to blend of different styles, state of the art vocals, attractive guitar riffing and pretty good synths. Let's not forget melody capabilities as demonstrated by track 3 and certain level of epics or glory.

    Some extreme metal inclinations mainly in growling and occassional intensive bass drum are evidenced throughout the album but overall, this album is quite common metal volume friendly. Not all songs have a great compositional elements but it is the varied sound and advanced instrumental parts. Ballads with vocals and piano are also effective as in "Eccentric" I like two longer tracks "Through square eyes" and "Blind pain" that have wild growling but also acoustic passages, however having spoken passages interrupting music is annoying. At times, you can hear Ayeron influence - in the way vocals are handled with duets.

     The God-Shaped Void by PSYCHOTIC WALTZ album cover Studio Album, 2020
    3.62 | 62 ratings

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    The God-Shaped Void
    Psychotic Waltz Progressive Metal

    Review by UMUR
    Special Collaborator Honorary Collaborator

    3 stars "The God-Shaped Void" is the 5th full-length studio album by US, San Diego based progressive metal act Psychotic Waltz. The album was released through InsideOut Music in February 2020. Psychotic Waltz folded after touring in support of "Bleeding" from 1996, as a consequence of a law suit from an actress who appearing in the promotional video for the track "Faded" who said she was exposed to a light during the shooting of the video which caused partial blindness. Psychotic Waltz reunited in 2010 to play some shows, and slowly the idea to record a new album began. Rumours of the writing and recording of the album have circulated for years, but now "The God-Shaped Void" is finally here.

    Psychotic Waltz were never a major player on the progressive metal scene and didn磘 accomplish much commercial succes in their early- mid 90s heyday, but they had a strong underground following (especially in Europe), which were quite dedicated fans (including myself). Psychotic Waltz stuck out because of their psychadelic tinged take on the progressive metal genre and their relatively original music style, which initially was rooted in US power metal and traditional heavy metal acts like Fates Warning, Queensrche, and Iron Maiden, but also incorporated the more complex structures and technical playing of artists like Watchtower and Realm. Their love for 70s progressive rock and hard rock/heavy metal was also audible on the albums from their original run.

    "The God-Shaped Void" is the sound of Psychotic Waltz, but in a sligthly more mature and formulaic version. Heavy riffs, mid-paced tempos and grooves, harmony leads and blistering solos, and Devon Graves (yeah that磗 the one who used to be called Buddy Lackey) distinct sounding voice on top. Atmospheric keyboards are also a big part of the soundscape (and the flute is used on "Pull the String" and "Demystified" ). In other words it磗 a natural progression from the sound on "Bleeding (1996)", but featuring a darker and heavier production job, closer to the sound found on "Mosquito (1994)". Using the word formulaic above pertains to the song structures more than the compositional details, as most tracks on "The God-Shaped Void" are built over the tried and true vers/chorus skeleton. Again this is no surprise given the direction the band were heading in before their untimely break-up. So don磘 expect this to sound much like the first two albums by Psychotic Waltz.

    While all tracks are well written, and don磘 take more than a few spins to be able to hum along to, I miss the anarchistic songwriting of the first two albums, and the high pitched ornamented vocal melodies, that characterized those two albums (listen to the incredibly dull vers melody on "Pull the String" and then think back on some of the technically crazy vocal melodies on the old albums. There磗 really no competition is there?), but then again I missed those elements on "Mosquito (1994)" and "Bleeding (1996)" too, so I磎 probably just one of those annoying old-school fans, who thinks everything was better in the old days...

    ...well I also miss changes in pace and being surprised by something on "The God-Shaped Void". Don磘 get me wrong, this is a quality release on almost every measurable parameter (professional sound production, high level musical performances, solid songwriting: check, check, check) and sometimes the heavy riffs and the epic atmospheres ignite excitement in me (take a listen to the intro or the middle section to "While The Spiders Spin" for some truly epic moments, or listen to the closing track "In the Silence"), but overall it磗 all a little too safe and predictable. I磎 a little conflicted here, but a 3.5 (70%) rating isn磘 all wrong.

    (Review originally posted on Metal Music Archives)

     Prison Of Desire by AFTER FOREVER album cover Studio Album, 2000
    3.30 | 36 ratings

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    Prison Of Desire
    After Forever Progressive Metal

    Review by sgtpepper

    3 stars Less progressive than their later efforts, it is a good record nevertheless for an open metal fan.

    There are diverse influence manifested in the music such as classical music (without any orchestra so inferior to Therion), gothic/doom slight spirit and some progressive moments. Vocals are excellent, be it the bellsounding female vocal or mighty growling that adds more edge. Of notice are advanced female harmonies that give a lot of warmth through the metal tunnel. Instrumentation is competent even if not very ambitious but not flat or shallow on the other side. I can recommend this album due to good melodies and execution but for less open proggers, start with their 2004 album or later.

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    Progressive Metal bands/artists list

    Bands/Artists Country
    5R6 Ukraine
    7 MONTHS United States
    7DAYS Sweden
    AAXSKFG Italy
    ABANDONED STARS United Kingdom
    ABERRANT VASCULAR Finland
    ABODEAN SKYE United Kingdom
    ABSOLACE United Arab Emirates
    ABSTRAKT Poland
    ABYDOS Germany
    ACCOMPLICE United States
    ACHING BEAUTY France
    ACID RAIN Argentina
    ACID RAIN Serbia
    ACID RAIN Spain
    ACUTE MIND Poland
    AD ASTRA United States
    ADAGIO France
    ADHARA France
    ADRAMELCH Italy
    AEBSENCE Hungary
    AEOLUS Netherlands
    AEON ZEN United Kingdom
    AEONS United Kingdom
    AETHERIUS United States
    AFASIA Italy
    AFFECTOR Multi-National
    AFTER FOREVER Netherlands
    AGE OF NEMESIS Hungary
    AGHARTA Netherlands
    AGNESIS Australia
    AGNOSIA Greece
    AGNOST DEI Russia
    AGORA Mexico
    AINA Netherlands
    AKASHIC Brazil
    AKRIBI Sweden
    ALARION Netherlands
    ALCHEMY ROOM Italy
    ALCHEMY X United States
    ALETHEIAN United States
    ALEVAS Japan
    REESE ALEXANDER United States
    ALHENA Poland
    ALHMA MATER Spain
    ALITHEIA United States
    ALKEMYST France
    ALKIMYA France
    ALL THINGS FALLEN Sweden
    ALL TOO HUMAN United States
    ALOGIA Serbia
    ALPHA GALATES Canada
    ALPHA ZENTRADI United States
    ALTERED SYMMETRY Colombia
    ALTESIA France
    ALTONA Turkey
    ALTURA United States
    ALY Mexico
    AMARAN'S PLIGHT United States
    AMARYLLIS Poland
    AMASEFFER Israel
    AMAZE KNIGHT Italy
    AMERICAN HOLLOW United States
    ANABASIS United States
    ANACHRONOS Chile
    ANACRUSIS United States
    ANASAZI France
    ANAXES Brazil
    ANCIENT CREATION United States
    ANCIENT CURSE Germany
    JONATHAN ANDERSON United States
    ANDRAGONIA Brazil
    ANDROMEDA Sweden
    ANGRA Brazil
    ANGUISH Germany
    ANIMA TEMPO Mexico
    ANIMATIONS Poland
    ANNON VIN Germany
    ANOMALY Netherlands
    ANOTHER LIFE Sweden
    ANOTHER WORLD Switzerland
    ANSATA Brazil
    ANTALGIA Spain
    ANTHRIEL Finland
    ANTHROPIA France
    ANTI CLOCK TOWER Germany
    ANUBIS GATE Denmark
    ANURYZM United Arab Emirates
    ANVIL THERAPY Italy
    ANVISION Poland
    FARAZ ANWAR Pakistan
    APHELION Italy
    APPEARANCE OF NOTHING Switzerland
    ARABESQUE Netherlands
    ARASHK Iran
    ARCH / MATHEOS United States
    ARCH ECHO United States
    JOHN ARCH United States
    ARCHETYPE United States
    ALEX ARGENTO Italy
    ARITY United States
    ARK Norway
    ARKENTYPE Norway
    ARKHE' Italy
    ART AGAINST AGONY Germany
    ART OF ILLUSION Poland
    ART OF SIMPLICITY Greece
    ARTENSION Multi-National
    ARTIFICIAL LANGUAGE United States
    ARTIFICIAL SILENCE United States
    ARTIKON Bulgaria
    ARTILECT United States
    ASCENSION THEORY United States
    ASHENT Italy
    ASHLER Ecuador
    ASMODEUS Czech Republic
    ASPERA / ABOVE SYMMETRY Norway
    ASPIC El Salvador
    ASSIGNMENT Germany
    ASTARTE SYRIACA Italy
    ASTRA Italy
    ASTRAL DIVE Italy
    AT NIGHT I FLY Hungary
    ATAR腦IA Spain
    ATHEM United States
    ATLAS CONCEPT United States
    ATMA Canada
    ATMOSFEAR Germany
    ATOMIC CLOCK United States
    ATOMIXYNERGY Italy
    AUDIO INSIGHT United States
    AUDITORY IMAGERY United States
    AURA Italy
    THE AURORA PROJECT Netherlands
    AUSPEX France
    AUTOMATA Chile
    AUTUMN HOUR United States
    AVALON Germany
    AVANDRA Puerto Rico
    AVELION Italy
    AVIATIONS United States
    AMADEUS AWAD'S EON Lebanon
    AWAITING DAWN Germany
    AWAX France
    AXIAL LEAD Romania
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